music-glossary: extender line
1.120 extender line
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ES: lÃnea de extensión [de melisma, de bajo cifrado, etc.], I: linea di
estensione, F: ligne dâextension [de mélisme, de basse chiffrée, etc.],
D: Fülllinie, NL: ?, DK: ?, S: ?, FI: pidennysviiva.
The generic term (in LilyPond) for a line (or dash) of arbitrary
length that extends text (without indicating the musical _function_ of
that text).
Used in many contexts, for example:
⢠In vocal music to indicate the syllable for a melisma. Called
âextensionâ in the Dolmetsch Online Music Dictionary
(http://www.dolmetsch.com/defse1.htm).
⢠In figured bass to indicate that:
⢠The extended note should be held through a change in harmony,
when applied to one figure âORâ
⢠The chord thus represented should be held above a moving bass
line, when applied to more than one figure.
⢠These uses were not completely standardized, and some
composers used a single extender line to indicate the latter
case.
⢠In string music to indicate that all notes in the passage thus
indicated should be played on the same string. On the violin, for
example, a series of notes to be played on the G string would be
indicated sul G, another series to be played on the D string would
be indicated sul D, and so on.
⢠With an octave mark to indicate that a passage is to be played
higher or lower by the given number of octaves.
See also
........
DONTPRINTYET melisma, sul G, thorough bass, *noteoctave
DONTPRINTYET melisma, sul G, thorough bass, octave
mark, octave marking.