lilypond-essay: Engraving details
1.2 Engraving details
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The art of music typography is called _(plate) engraving_, a term that
derives from the manual process of music printing(1). Just a few
decades ago, sheet music was made by cutting and stamping the music into
a zinc or pewter plate in mirror image. The plate would be inked, and
the depressions caused by the cutting and stamping would hold ink. An
image was formed by pressing paper to the plate. The stamping and
cutting was done completely by hand and making a correction was
cumbersome, so the engraving had to be nearly perfect in one go.
Engraving was a highly specialized skill; a craftsman had to complete
around five years of training before earning the title of master
engraver, and another five years of experience were necessary to become
truly skilled.
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LilyPond is inspired by traditional manual engravings published by
European music publishers in and towards the end of the first half of
the twentieth century, including Bärenreiter, Duhem, Durand, Hofmeister,
Peters, and Schott. This is sometimes regarded as the peak of
traditional musical engraving practice. As we have studied these
editions we have learned a great deal about what goes into a
well-engraved score, and the aspects that we wanted to imitate in
LilyPond.
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